All Henri de toulouse-lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri de toulouse-lautrec Jane Avril Dancing (mk09) oil on canvas


Jane Avril Dancing (mk09)
Jane Avril Dancing (mk09)
Painting ID::  21463 		  1892 Oil on cardboard,85.5 x 45 cm Paris,Musee d'Orsay
  1892 Oil on cardboard,85.5 x 45 cm Paris,Musee d'Orsay

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Henri de toulouse-lautrec Henry Samary (mk09) oil on canvas


Henry Samary (mk09)
Henry Samary (mk09)
Painting ID::  21523 		  1889 Oil on cardboard,74.9 x 51.9 cm Paris,Musee d'Orsay
  1889 Oil on cardboard,74.9 x 51.9 cm Paris,Musee d'Orsay

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Henri de toulouse-lautrec Two Women Dancing at the Moulin Rouge (mk09) oil on canvas


Two Women Dancing at the Moulin Rouge (mk09)
Two Women Dancing at the Moulin Rouge (mk09)
Painting ID::  21521 		  1892 Oil on cardbard,95 x 80 cm Prague,Narodni Galeri
  1892 Oil on cardbard,95 x 80 cm Prague,Narodni Galeri

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Henri de toulouse-lautrec The Clowness Cha-U-Kao (mk09) oil on canvas


The Clowness Cha-U-Kao (mk09)
The Clowness Cha-U-Kao (mk09)
Painting ID::  21525 		  1895 Oil on cardboard,64 x 49 cm Paris,Musee d'Orsay
  1895 Oil on cardboard,64 x 49 cm Paris,Musee d'Orsay

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Henri de toulouse-lautrec Interior in the Rue des Moulins (mk09) oil on canvas


Interior in the Rue des Moulins (mk09)
Interior in the Rue des Moulins (mk09)
Painting ID::  21529 		  c 1894 Oil on canvas,111.5 x 132.5 cm.Albi,Musee Toulouse-Lautrec
  c 1894 Oil on canvas,111.5 x 132.5 cm.Albi,Musee Toulouse-Lautrec

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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